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Yotam Rotem
I am a costume and set designer for theater and opera, working across institutional productions and independent projects. My background in opera singing, dance, and performance has shaped the way I approach design, with a particular sensitivity to music and movement.
I also have extensive experience in intricate costume painting and dyeing, combining practical craftsmanship with design.
Outside the theater, I am a swing dancer and one of the founders of Swing Jam Dance School in Tel Aviv. Dance and music remain an important part of my life and work.
Email: yotam.rotem@gmail.com
Phone: 0549715395
Year | Project name | Production | Genre | Role | Notes |
|---|---|---|---|---|---|
2026 | Blind Spot - I. Salhov & E. Tzvik | Khan Theater Jerusalem & Nissan Nativ Acting Studio | Theater | Costume Design | |
2026 | The Little Prince (Sebba) | The Israeli Opera | Opera | Stage and Costume design | |
2026 | Isra VeIshma (Permont) | Moran Choir | Staged musical work | Director and Choreographer | |
2026 | Cabaret - F. Ebb, J. Kander | The Cameri Theater | Musical Theater | Assistant costume designer | Assistant to designer Shira Wise |
2025 | Katzar (shorts) festival - stage 2 | Tzavta | Theater | Set and costume design | |
2025 | Singer - P. Flannery | The Cameri Theater | Theater | Assistant costume designer | Assistant to designer Orna Smorgonsky |
2025 | Chefetz - H. Levin | Yoram Loewenstein Performing Arts Studio | Theater | Costume design | |
2025 | The Crucible - A. Miller | Goodman Acting School | Theater | Costume design | Performed by the Goodman youth group |
2025 | Le Nozze di Figaro (Mozart) | The Jerusalem Academy of Music and Dance | Opera | Stage and Costume design | |
2025 | The Dybbuk - R. Chen | Nissan Nativ Acting Studio | Theater | Costume design | |
2024 | Macbeth - W. Shakespeare | The Hebrew Theater | Theater | Assistant costume designer | Assistant to designer Shira Wise |
2024 | Rashomon - Based on the work by Akutagawa | Kibbutzim Seminary | Theater | Stage and Costume design | |
2024 | Madama Butterfly (Puccini) | The Jerusalem Opera and The Jerusalem Symphony Orchestra | Opera | Stage and Costume design | |
2024 | La serva padrona (Pergolesi) | Opera Camera & Barrocada Orchestra | Opera | Stage and Costume design | |
2024 | L'incoronazione di Poppea (Monteverdi) | The Jerusalem Academy of Music and Dance | Opera | Stage and Costume design | |
2024 | The Event - Yael Nivron | Theo-Tron Ensamble & Khan Theatre Jerusalem | Theater | Stage and Costume design | |
2024 | A Kind of Monster (Ady Cohen) | Bat-Kol Choir | Opera | Stage and Costume design, Choreography | |
2023 | Die Fledermaus (Strauss) | The Jerusalem Academy of Music and Dance | Opera | Stage and Costume design | |
2023 | Die Brucke | Comedia Theater Koln & Kibutz Theater Tel-Aviv | Theater | Prop design | Part of the Festival for Children's Theater - Haifa |
2023 | Therese Raquin (Picker) | The Jerusalem Opera | Opera | Costume design | |
2022 | Il barbiere di Siviglia (Rossini) | The Israeli Opera | Opera | Stage and Costume design | |
2022 | Triadisches Ballett - A Tribute to Oskar Schlemmer | The kibuzim seminary & Liebling Haus - Tel Aviv | Dance | Costume Design | |
2022 | Carmen (Bizet) | Opera Camera & Haifa symphony orchestra | Opera | Assistant designer | Assistant to designer Shira Wise |
2021 | The Library Ball | Self-produced in collaboration with the Haifa university | Performance art | Concept and design | |
2021 | Tosca (Puccini) | Haifa symphony orchestra | Opera | Assistant designer | Assistant to designer Maya Meidar |
2021 | Tearstick: Absurd Musical Geffen Ganani | TMUNA theatre | Musical Theater | Renewed design | |
2021 | The Rise and Fall of Amanda Rogers- Monodrama by Geffen Ganani | Geffen Ganani | Theater | Stage and Costume design | |
2021 | Herzl on the Sofa - A Dialogue | Prof. Ariel Feldstein | Theater | Costume design |
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